"...no,
these poor Black caricatures won't do, the East End has changed loads
since the days of old gits happily being able to leave their back doors
open!" |
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WHY
NOT SET EASTENDERS ON PLANET MARS |
We’re not
big fans of the BBC, which is why we’re joining the queue to
belatedly knock EastEnders, which as
far as soaps go, should be set on Mars, because the likelihood of
bumping into any credible Black people there is just as remote.
Growing up in East London you had to run the gauntlet of National
Front skinheads posing as West Ham fans as you made my way to
Upton Park tube on a Saturday. There’s a slight reversal now as
West Ham fans now have to run the gauntlet of Indians, Pakistanis
and Blacks to get to the game. 
Forget your apples and pears and leaving your back door open, its
all changed you old gits unless of course you live in Albert
Square on planet BBC and light years away from reality of the
title.
Even Alf Garnett has more in common with today's East End and he's
a Right-wing 60s throwback.
Dyke was right, the BBC is hideously white and their soaps wash
even whiter. Funny how there's no evidence of race in EastEnders,
even Rudi Walker’s hat doesn't sit right. As minority families
go, the Ferreiras, the Truman’s and dustbin-boy make you want to
the RSPCA to put down the politically correct Oxbridge brigade of
writers who deliver this tripe four times a week.
Those merchant bankers are in a right two-and-eight struggling to
drag it out the canal they should've left Dirty Den in.
I’m
probably the biggest Black TV fan in Britain and yes, it chills me
to see Ainsley roll his eyes and wiggle his fingers minstrel
style.
It annoys me that with so much talent out there they can’t find
a Black writer to stand tall in a writer’s meeting and say
‘No!’ these poor Black caricatures wouldn’t do that. Surely
Rudi Walker who survived ITV’s Love They Neighbour in the 70s
could say something, and maybe does? But it’s obvious no one is
listening and even fewer watching.
Someone I know, who isn’t Black was joined EastEnders
having in their own words, ‘never really watched it’ by virtue
of knowing someone who knew someone.
I hope it sounds like sour grapes, because I used to enjoy that
and a few other BBC shows and I’m disappointed that my licence
fee is going towards paying people who couldn’t careless.
I bumped into Paulette Randal the other day she of the Talawah
Theatre Company who’s been charged with bringing credibility
to another BBC mistake, Black sitcom the Crouches. A white bloke,
Ian Patterson, ironically conceived the series about a hapless
stereotypical Black South London family. He brought us the drunken
unemployed Scotsman Rab.C.Nesbit, but found himself way out of his
depth and drowning in darker waters south of the river.
So Randall, who says she stakes her reputation on everything she
does, has the helm. And let’s hope that in this comedy series
she’s not scooped the poison chalice from the palace and season
two of the Crouches does prove to be the brew that is true.
But my point is there's a lesson to be learned in getting in the
right people, and I’m saying that even before I’ve requested
the Crouches preview tapes.
We’re
not biased or anything, but come on, if Black people make up some
eight percent of Britain’s population or thereabouts, give us
something to believe in. Get some Black folks in there. And no,
Angelica Bell (CBBC), Darren Jordan and Moira ‘what’s that on
my head’ Stuart (BBC News) and the housewives taste bud tickling
eye-roller Ainsley (Ready Steady Cook) are not enough.BH
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